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Article formatting requirements

REQUIREMENTS

FOR ARTICLE FORMATTING, PUBLISHED IN THE JOURNAL

We would like to draw your attention to the necessity of clear structuring of your work:

  1. IRSTI (International Rubricator of Scientific and Technical Information) – placed at the top left corner of the first page.
  2. Author information after the IRSTI, in the center of the first page provide the initials and last names of all authors, place of work in italics; city and country in italics (in parentheses) (see Appendix 1).
  3. UDC Classifier - placed after the author information.
  4. Title – centered on the page. The title should be brief (no more than 10 words), but informative, reflecting the main result of the study. The title is to be in bold uppercase letters, font size 14. Abbreviations are not allowed in the title, except for commonly accepted ones.
  5. Annotation – 8-10 sentences. It should reflect the topic of the article, its practical value, novelty, key points, and research conclusions.
  6. Key words - up to 5-7.

 

 The title of the article, author information, annotation and key words must be given in three languages: Kazakh, Russian and English. The corresponding author is listed first and marked with the symbol 1.

 

  1. The main text is published with double spacing and should include the following sections:

Introduction. The introduction must outline the research problem. Its practical significance should be highlighted. Furthermore, the article should elaborate on the stated relevance throughout the text.

Materials and methods of research. Describe the organization of the experiment, the methodologies used, and provide detailed information about the research subject. The types of research methods (most common) include: observation, survey, testing, experimentation, laboratory work, analysis, modeling, study, and synthesis.

A review of the literature on the topic. The literature review should include 8-10 sources that the author relied upon during their research. It is important to conduct a detailed analysis of these works, highlighting both similarities and differences in the authors' approaches, as well as critically evaluating their concepts. To enhance the quality of the research, it is recommended to include both domestic and international publications. Additionally, some of the sources should be in English, which will not only broaden the research context but also integrate international experiences and approaches within the relevant field.

Particular attention should be given to works published in high-ranking scientific journals indexed in international citation databases such as Scopus, Web of Science, SpringerLink, JSTOR, and others. Publications from these databases hold a strong scientific reputation and adhere to rigorous peer-review standards, making them a priority for use in academic research.

The results of the study. The purpose and objectives of the research. A description of the study. Emphasize your innovative reflections. Be sure to demonstrate the scientific novelty (justify findings that are significant for the development of global science). This is the most detailed part of the research.

Discussion of Results. Provide an interpretation of the data obtained. It is important to compare the results with previous studies, highlighting similarities and differences, and discuss their theoretical and practical significance. Do not forget to indicate the limitations of the research and suggest directions for further studies.

Funding Information (if applicable).

Conclusion. In the conclusions, summarize the article. The conclusions should not repeat the provisions of the article. An analytical summary of the results and discussion of the article should be given.

  1. After the main text, the list of references is provided with two spaces:

References.

  • The list should include 10 or more sources, with at least 50% of them being international publications from the last 3 years. References to articles published in the "Arts Academy" journal are encouraged.
  • The list of references should be provided in the order in which the works are cited in the text. The list must be formatted according to the Chicago citation style. Detailed instructions on Chicago Style can be found on the official website (https://www.chicagomanualofstyle.org/tools_citationguide.html ) or in the guidelines provided by the editorial team. In the article, citations are provided in parentheses: author, publication year, page number. For example: (Zhubanov 1974, 36). The bibliographic entry should be in the original language (see Appendix 3). 
  • After the list of references, a separate block should be provided with the list of references in the Roman alphabet (References), repeating the list of sources from the Russian-language part, regardless of whether it includes foreign sources. If there are references to foreign publications in the list, they should be fully repeated in the list prepared in the Roman alphabet (Latin script). You can use the transliteration program available on the website http://www.translit.ru/ for converting Russian text to Latin script.
  1. A brief biography of the authors follows after the list of references (see Appendix 2).

Figures should be placed directly in the text of the article at the point where they are mentioned; they should also be submitted as separate files in any graphic format (JPEG, TIFF, BMP, etc.) with a resolution of 200-300 dpi. The caption should be placed below the figure, aligned to the left. It should be brief but informative. The figure number (e.g., "Fig. 1") and a short description should be included (see Appendix 4). All figures should be numbered consecutively (e.g., Fig. 1, Fig. 2, etc.). If the figure is taken from an external source, the citation should follow the Chicago citation style requirements.

If the figure is sourced from the internet, the reference should be placed directly under the figure in the following format:

  • Title of the image or page (in quotation marks).
  • Name of the website.
  • Full URL (link) to the page with the image.
  • Date of access (especially if the material was obtained from a webpage that may be updated).

Tables should be numbered with Arabic numerals (e.g., Table 1, Table 2, etc.). The numbering must be consecutive throughout the text. The table title should be placed above the table, starting with a capital letter, and should briefly describe the content of the table. The title should be aligned to the left and written with one space after the table number, without a period at the end. If the table is sourced from another reference, the citation should be provided below the table, following the Chicago citation style requirements (see Appendix 5).

The technical formatting of the article should comply with the following requirements:

  • Font — Times New Roman, 14-point (main text), 12-point (annotations, footnotes, notes, captions for figures and tables).
  • Footnotes — placed at the bottom of each page using the "footnote" function (Ctrl+Alt+F) in Microsoft Word. Endnotes should not be used.
  • Line spacing — single.
  • Margins — 2 cm on all sides.
  • Paragraph indentation — 1.25 cm, without using spaces or tabs.
  • Article length — 20,000–30,000 characters without spaces.
  • File format — Microsoft Word (*.doc, *.docx, *.rtf).
  • Quotation marks — typographic “”, inside quotations — regular “”.
  • Dates are written in numbers: centuries in Roman numerals, years and decades in Arabic numerals.
  • Ballet terms are written in French (e.g., Endedans, Tendue, Leve).

The authors are solely responsible for the accuracy and reliability of the information, citations, references and list of the sources used.

Articles that are not relevant to the issues of the scientific journal and to the above-mentioned requirements will not be considered by the editorial Board.

The article file should be named after the surname and initials of the first author (e.g., Жұматов А.И.doc, Жуматов А.И.doc, or Zhumatov A.I.doc). Articles are subject to general editing. Submitted articles are not returned to the authors.

Articles submitted to the journal undergo a double-blind review process, ensuring objectivity and confidentiality in the evaluation of the scientific materials. Reviewers, who are experts in the relevant field, are selected by the editorial board from among domestic and foreign specialists.

The editorial board independently determines the reviewers, eliminating the possibility of author influence on the review process. Reviews are not provided to authors, but the main conclusions and recommendations of the reviewers are shared with the authors in a summarized form for making necessary revisions or improving the quality of the work.

Authors are requested to submit all materials in a single document (one file) and strictly adhere to the Article formatting requirements.  

The article text should be submitted in either electronic or paper form via the website https://artsacademy.kz or to the following address: 010000, Astana, 43 Uly Dala Street, Kazakh National Academy of Choreography, office No.470.

Appendix 1

Example of the first page of an article

IRSTI 18.49.01

UDC 793.31

ORCID ID 0000-0002-0375-8891                                                                                                                               DOI:10.56032/2523-4684.2023.2.10.01

М.К. Нуртаева¹

¹Казахская национальная академия хореографии

(Астана, Казахстан)

ЭСТЕТИКА СОВРЕМЕННОГО ИЗОБРАЗИТЕЛЬНОГО ИСКУССТВА: ВЗГЛЯД ЧЕРЕЗ ПРИЗМУ КАЗАХСКОЙ КУЛЬТУРЫ

 

 

 Аннотация

Статья посвящена анализу эстетических принципов современного изобразительного искусства с фокусом на казахскую культуру. Рассматривается влияние традиционного и современного искусства на развитие визуальных форм в контексте глобализации. Автор исследует, как художники Казахстана используют культурное наследие для создания новых художественных концепций и форм. Важное место уделяется анализу взаимодействия между национальными художественными традициями и мировыми тенденциями в искусстве. Основные выводы статьи заключаются в том, что современное казахское искусство сохраняет элементы традиционной эстетики, одновременно внедряя инновационные подходы, которые отражают особенности национальной идентичности в изменяющемся мире.

Ключевые слова: современное искусство, эстетика, казахская культура, изобразительное искусство, визуальные формы.

 

 

М.К. Нұртаева¹
¹Қазақ ұлттық хореография академиясы

(Астана, Қазақстан) 

ҚАЗІРГІ ЗАМАН БЕЙНЕЛЕУ ӨНЕР ЭСТЕТИКАСЫ: ҚАЗАҚ МӘДЕНИЕТІНІҢ КӨЗҚАРАСЫ 

 

 

Аннотация

Мақала заманауи бейнелеу өнерінің эстетикалық принциптерін, әсіресе қазақ мәдениетінің тұрғысынан зерттеуге арналады. Автор дәстүрлі және қазіргі заманғы өнердің көркемдік формаларға әсерін, жаһандану контекстінде көркемдік дамуды қарастырады. Қазақстан суретшілерінің мәдени мұраны жаңа көркемдік тұжырымдамалар мен формаларды құру үшін қалай пайдаланатыны зерттеледі. Мақалада ұлттық өнер дәстүрлерімен әлемдік өнер үрдістерінің өзара әрекеттесуін талдауға ерекше көңіл бөлінеді. Қорытындысында қазіргі қазақ өнері дәстүрлі эстетиканың элементтерін сақтай отырып, ұлттық сәйкестікті көрсететін жаңашыл тәсілдер енгізу арқылы дамып келе жатқаны көрсетілген.

Түйінді сөздер: заманауи өнер, эстетика, бейнелеу өнері, қазақ мәдениеті, көркемдік формалар.

 

G.R. Nurtayeva¹
¹Kazakh National Academy of Choreography
(Astana, Kazakhstan)

THE AESTHETICS OF CONTEMPORARY VISUAL ART: A PERSPECTIVE THROUGH KAZAKH CULTURE

 

 

Annotation

The article is dedicated to the analysis of aesthetic principles of contemporary visual art, with a focus on Kazakh culture. The author examines the influence of traditional and contemporary art on the development of visual forms within the context of globalization. The study explores how Kazakh artists utilize cultural heritage to create new artistic concepts and forms. Special attention is given to the interaction between national artistic traditions and global trends in art. The main conclusion of the article is that contemporary Kazakh art preserves elements of traditional aesthetics while introducing innovative approaches that reflect national identity in a changing world.

Keywords: contemporary art, aesthetics, Kazakh culture, visual art, artistic forms.

 

 

Introduction. Text text text text text text text text text text text text text text text text text text text text text text (Dzhumasetova 2020, 35).

Materials and methods of research. Text text text text text text text text text text text text text text text text text text text text text text text text text text text text (Saitova 2023). text text text text text text text text.

A review of the literature on the topic. Text text text text text text text text text text text text text (Abuseitova 2006)text text text text text text text text text text text text text text text text text text text text text text.

The results of the study. Text text text text text text text text text text text text text text (Kulbekova 2019)text text text text text text text text text (Izim 2022, 64)text text text text text text text text.

Discussion of the results. Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text.

Funding information (if applicable). Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text.

Conclusions. Text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text text.

 

References:

  1.  
  2.  

 

Appendix 2.

Information about the authors

 

Full name

 

Title of the article

 

Academic degree or qualification

 

Academic title

 

Place of work or study, position

 

Academic supervisor / consultant (for postgraduate students)

 

Degree, academic title, position of the academic supervisor

 

Contact phone number

 

E-mail address

 

 

 

Appendix 3.

References. Examples

Journals

  1. Pak, N.S. 2007. Sociological Problems of Language Contacts. Bulletin of KazUIR&WL. Philology Series 2(10): 270–278.

 

Books

  1. Pavlov, B.P., Batuev, S.P. 1983. Preparation of Water-oil Emulsions for Combustion in Furnace Devices. In Increasing the Efficiency of Gas and Liquid Fuel Use in Furnaces and Heating Boilers, 216. Leningrad: Nedra.

 

Collections

  1. Abusaitova, M.Kh. 2006. History of Central Asia: Concepts, Methodology, and New Approaches. In Materials of the International Scientific Conference "To New Standards in the Development of Social Sciences in Central Asia", 10–17. Almaty: Daik-Press.

 

Legislative materials

  1. Government of the Republic of Kazakhstan. 2007. Resolution on the Approval of the Plan of Priority Actions to Ensure the Stability of Socio-economic Development of the Republic of Kazakhstan. Approved on November 6, 2007, No. 1039. IS Paragraph, October 20, 2009.
  2. President of the Republic of Kazakhstan. 2015. Decree "On State Prizes of the Republic of Kazakhstan in the Field of Science and Technology Named after Al-Farabi, Literature, and Arts." Approved on January 21, 2015, No. 993 (with amendments from October 10, 2016).

 

Newspapers

  1. Baitova, A. 2009. Innovative-technological development – the key factor in increasing competitiveness. Kazakhstanskaya Pravda, No. 269.

 

Standards (GOST)

  1. GOST 7.1–2003. Bibliographic Record. Bibliographic Description. Replaces GOST 7.1–84, GOST 7.16–79, GOST 7.18–79, GOST 7.34–81, GOST 7.40–82; introduced on July 1, 2004. Moscow: Publishing House of Standards.

 

Electronic resources

  1. National Library. 1998. Center for Information Technologies of the RSL. Ed. Vlasenko, T.V.; Webmaster N.V. Kozlova. Accessed December 14, 2017. http://www.rsl.ru.

 

Unpublished documents research reports

  1. Suleimenov, E.Z., Kulievskaya, Y.G. 2008. Formation and Analysis of Funds of Unpublished Documents Reflecting the State of Science in the Republic of Kazakhstan. Final Research Report, National Center for Scientific and Technical Information. Almaty.

 

Dissertations

  1. Izbairov, A.K. 2009. Non-traditional Islamic Trends in the Independent States of Central Asia. Doctoral Dissertation in Historical Sciences, R.B. Suleimenov Institute of Oriental Studies, Almaty.

 

Transliteration

  1. Gromov, S.P., Fedorova O.A., Ushakov, E.N., Stanislavskii, B., Lednev, I.K. and Alfimov, M.V. 1991. Dokl. Akad. Nauk SSSR, 317, 1134–1139 (in Russ.).

 

Appendix 4.

Example of figure caption

 

Fig. 1. Dangyr. Koldabyl.

Percussion Musical Instruments.
Vsevolodskaya-Golushkevich O.V. (1996),

Baqsy oyny, 144 p. Almaty: Rauan.

 

 

Fig. 2. Zhanabil Ademi. Ballet "The Fairy of Dolls."
Kazakh National Academy of Choreography, News,

    https://balletacademy.edu.kz/ru/novost/pobeda-studentov-kazahskoj-nacionalnoj-akademii-horeografii-na-mezhdunarodnom-konkurse-budapest-ballet-grand-prix-v-vengrii,

accessed December 11, 2024.

 

 

 

 

Appendix 5.

Tables

 

Table 1. Key characteristics of Kazakh Choreographic Art

 

 

 

 

 

 

Source: Anuar A.A. (2023).

Choreographic Art of Kazakhstan,

45 p. Almaty: Nauka.

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